Pissing chat sights

The last graduation cap falls out of the `blue sky' frame, and into... ATLANTA RESTAURANT - LATER 3 (Graduation ceremony wardrobe) Walt and Billie sit at a table. A Cadillac can be seen through the window (ATLANTA LANDMARK), parked beside the restaurant. Walt looks out the window and sees Chris drive up in his old yellow Datsun with Carine in the passenger seat beside him, and pulls up to the space beside the Cadillac. DATSUN 4 Chris is holding a book from which he reads aloud the LAST LINE OF THE POEM... Do what you are going to do, and I will tell about it. CHRIS Well, it could've been either one of us, couldn't it? CHRIS (CONT'D) There's a lot of great poems in there. We STAY on the DRIVER as BACKPACK speaks: BACKPACK Keep it. I don't want to know what time it is, what day it is, or where I am. We can feel over Backpack's shoulder that he has taken the boots and is putting them on but we STAY on the driver. TIME CUT: SLO-MO: A ballet of graduation caps float upward into a frame of blue sky. BACK TO: ORIGINAL WIDE-SHOT: We see the small form of the truck and the smaller form of the Backpacker walking away from the truck until the Backpacker has exited the frame. INTERCUT: Chris, on his run, sweatshirt hood over head. WALT Well, we'll certainly contribute the balance for Harvard. BILLIE I'm so glad you're getting out of that place you're living. WALT You'll come to Annandale before you disappear on us, won't you? He gives us a look of vaudevillian puzzlement - what will he do? It represents all the corruption, the deceit, and greed within us all. I've had to tell you that you are a journalist and you can't get personally involved in your cases..your stories. As the song continues to be sung and the monster continues to die, the AUDIO RECEDES and VIDEO IMAGES GO TO SLO MO. O.) When we were little, Chris was very to himself. They give him water, dropping him at the north end of the lake at TEMPLE BAR MARINA. Your humble reporter, Chris Mc Candless will now struggle with the journalistic question of ethics: Will he retain his reporter's objectiveness or save the future of human truth by slaying this awful beast? TED TURNER/STUDENT (worst acting we've ever seen) Mc Candless, how many times have I had to tell you? CAMERA TILTS UP to the monster looking out the hatchway, slowly dying from the song being sung. CHRIS (CONT'D) (Mocking the Cadillac) Do you think I want some fancy boat? Chris and I just wanted to get away from their fights and mom kept promising to get out and take us with her as soon as their company made enough money. We HEAR OS students commenting on Chris and his video crew: OS STUDENT What is this? It wasn't long before Chris and I shut off -- we would tell mom and dad to go ahead and get the divorce.

INTO THE WILD Written by Sean Penn Based on the book by Jon Krakauer 1 EXT. The truck takes a BEAT, turns around in the snow, and accelerates back into the direction from which it came. COMMENCEMENT GROUNDS, EMORY UNIVERSITY, ATLANTA - 2 DAY SUPER: May 1990 The crowd of family and friends, and of course, students. Amongst assembled crowd and family we find: THE MCCANDLESS': BILLIE, mid to late forties with dark striking eyes; WALT, a taciturn man, early fifties; and CARINE, eighteen, pretty with her mother's eyes and waist length brown hair, a gold crucifix dangles from her neck.

CHRIS (CONT'D) Once again, your humble reporter Chris Mc Candless. They wanted us to choose which of them we'd live with. But the divorce never happened, though the threats and meetings never stopped. At lake-side, an unusual sight - the NEW Chris Mc Candless, a sun and dirt-beaten bum with a backpack. MARINA CAFE, UNISEX RESTROOM 19 Chris brushes his teeth.

CONTINUE VIDEO: We pick up with Chris in a corridor outside a door with a cheap paper-and-tape label announcing the adjacent room as the office of Ted Turner. Chris speaking straight to camera, still tongue-in-cheek: CHRIS (with a Wizard of Oz tone) Pay no attention to the voices behind the curtain. WOULD-BE TED TURNER OFFICE 15 A FELLOW STUDENT PLAYING TED TURNER with obvious fake mustache is locked into an episode of Matlock on his television set as our bold reporter, Chris, barges in. He wasn't anti-social, he always had friends, and everybody liked him - but he could go off and entertain himself for hours, he didn't seem to need toys or friends. The secrets our parents kept, though unknown to Chris and I, led to bouts of rage and even violence between them that we had been forced to witness since we were very young. I remember the first family meeting to let Chris and me in on their plans for getting a divorce. (Director's Note: HIGH ANGLE, TIGHT, sees Chris and the glimmering water treadmilling below) CUT TO: 4. CUT TO: 18 ESTABLISHING SHOT: CAFE, TEMPLE BAR MARINA 18 CUT TO: 19 INT.

The room is spare, supporting his monkish lifestyle. He then slides the note and the check into a pre-addressed Oxford Famine Relief Fund (in Boston) envelope. Finally coming to his social security card, he holds it to the candles flame. ATLANTA HIGHWAY - SUNRISE' 9 MUSIC (Gordon Peterson's BIG HARD SUN or as radio source Tom Petty's FREE FALLING) rises and PRESENTATION TITLES OVER: A 1982 DATSUN B210 emerges from the rising sun as the car heads west out of Atlanta. Into the rearview mirror, and suddenly turns the wheel, veering the Datsun off the paved highway into the vast desert. DETRITAL WASH - TWILIGHT 11 ANGLE: WEST-FACING The Datsun sits in the magical pastel twilight just before darkness slides over the desert. He comes very close to camera (only a day or two's stubble on his face) and as we PAN him 180, we see as much wilderness before us as we did behind. COLLEGE BUILDING 14 SHAKY HAND-HELD HOME VIDEO IMAGE (4 YEARS EARLIER): 12. CHRIS (CONT'D) (in mock fright) We've got to get out of here quick and re- secure the hatch while we make a plan of how to kill the beast. As he arrives, the monster appears above him in the hatchway crawl space having pulled off the board Chris had nailed. O.) Toward the end of June, Chris had mailed our parents his final grade report. An EAGLE soars above (perhaps it was this POV represented in our helicopter shot) WATER babbling in a mountain creek.

And with a parting smile to her brother, she poses with it on her own head. As the Cadillac drifts away, his smile disappears into something other than sadness. OFF-CAMPUS ROOMING HOUSE - NIGHT 8 In a warm ambient light, we SEE a black and white poster on a barren wall: Poncho-clad Clint Eastwood from "The Good, The Bad, And The Ugly." We TILT DOWN a stack of books sitting on the floor - Tolstoy, Stegner, Thoreau, Jack London, and Pasternak. Chris sits in introspection at his desk by candlelight. Considering each, he flicks them into a trash bin, one by one. Chris gets a slight smile on his face, as the car settles into its new position below the cliff. We follow a very long set of footprints (CAMERA TRACKING/TRUE VERTICAL) away from the burning cash through the mud, finally tilting up to the footprint maker, Chris. WIDE-SHOT: We see the abandoned Datsun nearly a mile behind Chris as he walks toward us wearing his backpack. The CAMERA RUNS WITH HIM out the door, through the corridor, up a set of steps to the hatchway. We slowly ZOOM IN on her throughout the remaining V. ANGLE: A DEER drinking from a creek, pops its head up between trees and scrub, watching the alien human pass.

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